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REALISATION IN LOVE
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We come now to the eternal problem of co-existence of the infinite and the finite, of the supreme being and our soul. There is a sublime paradox that lies at the root of existence. We never can go round it, because we never can stand outside the problem and weigh it against any other possible alternative. But the problem exists in logic only; in reality it does not offer us any difficulty at all. Logically speaking, the distance between two points, however near, may be said to be infinite because it is infinitely divisible. But we do cross the infinite at every step, and meet the eternal in every second. Therefore some of our philosophers say there is no such thing as finitude; it is but a maya, an illusion. The real is the infinite, and it is only maya, the unreality, which causes the appearance of the finite. But the word maya is a mere name, it is no explanation. It is merely saying that with truth there is this appearance which is the opposite of truth; but how they come to exist at one and the same time is incomprehensible.
We have what we call in Sanskrit dvandva, a series of opposites in creation; such as, the positive pole and the negative, the centripetal force and the centrifugal, attraction and repulsion. These are also mere names, they are no explanations. They are only different ways of asserting that the world in its essence is a reconciliation of pairs of opposing forces. These forces, like the left and the right hands of the creator, are acting in absolute harmony, yet acting from opposite directions.
There is a bond of harmony between our two eyes, which makes them act in unison. Likewise there is an unbreakable continuity of relation in the physical world between heat and cold, light and darkness, motion and rest, as between the bass and treble notes of a piano. That is why these opposites do not bring confusion in the universe, but harmony. If creation were but a chaos, we should have to imagine the two opposing principles as trying to get the better of each other. But the universe is not under martial law, arbitrary and provisional. Here we find no force which can run amok, or go on indefinitely in its wild road, like an exiled outlaw, breaking all harmony with its surroundings; each force, on the contrary, has to come back in a curved line to its equilibrium. Waves rise, each to its individual height in a seeming attitude of unrelenting competition, but only up to a certain point; and thus we know of the great repose of the sea to which they are all related, and to which they must all return in a rhythm which is marvellously beautiful.
In fact, these undulations and vibrations, these risings and fallings, are not due to the erratic contortions of disparate bodies, they are a rhythmic dance. Rhythm never can be born of the haphazard struggle of combat. Its underlying principle must be unity, not opposition.
Author : Rabindranath Tagore
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