Of the many, delineating his multifaceted career, Mudgal Purana
claims priority in embodying a rich corpus encircling his life and the
multiplicity of activities he is involved in. Though he is worshipped by the
Hindu minded Indians from Peaks to Cape and Dwaraka to Dharang Wong across, it
is only the erst-while Bombay state that monopolised in worshipping him on a
scale grand; fervor inimitable; forms innumerable; and ways incalculable. Go
across the state lengthwise or breadth wise, sure you can see everywhere his
shrines in every village, niches in big temples, icons in street corners, portraits
in every house, and pen dents in the neck chains of the ardent devotees. The
house may not have proper door, but it invariably adorns the lintel of the
entrance with the carving or an image of Ganesh or colourful paper copy
artistically pasted. Every hamlet, town or city celebrates the Ganesh Chathurthi, the annual festival in a grandiose manner with enormous expenditure
exceeding the budget figure of some states, recently added to the Indian Union.
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