Being linked up
with another world famous cave temples of Ajanta, the touch-stone of the fresco
art, the Ellora group has immortalised both the artistes and art patrons.
Aesthetes, living all over the world, may or may not know the gods of Hindu
Pantheon, but decidedly they have heard and seen some of them in the Kailasanath
rock-cut temple here. Though the nucleus and locus of the central message of
Buddhism and Jainism differ with Hinduism, and at times certain head strong
pravaktas amongst themselves were at logger heads with each other, and later
joined together to mount united attack on Hinduism, the catholicity of Hinduism
is such that it extended its two hands to bring them into its own fold. It is
here lies the universality of Hinduism and that accounts for the continuity of
the spirit of eternity in its full vitality. Above all, although, this
Kailasanath image does not have as much magnetic pull as some other
Kailasadhipati's installed in temples like Kedarnath, Somanath, Kasi etc. with
regard to offering of ritualistic prayer services or celebration of occasional
and periodical festivals, its fame is neither less, nor attraction inferior. As
a matter of fact, visitation by people and its frequency amazes everyone and
publishes its uniqueness among the temples of India. It is one of the noblest
Hindu relics of ancient India and an eternal monument perpetuating the glory of
the stone cutters. And certainly an object of commendable pride of the state of Maharashtra
and the crest jewel of Bharatamata.
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