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The Miracles Of Gods For The Debacles Of Humans
Index Author
Invocation Introduction
Prologue Chengannur
Bhavani Mantralaya - Brindavan
Agra Tiruvannamalai
Tiruchendur Vijayawada
Tiruvangad Tiruvangad - Sri Rama Temple
Madhuranthakam Banaras
Nanjangud Talakaveri
Karpara Kshetra Jejuri 
Mantrlaya Adoni
Melkote Phede
Bhadrachalam Morgaon
Sirusangadla Vikarabad
Simhachalam Srisailam
Penugonda Deogarh
Epilogue  
Major Sections
Temples Of India
Lord Siva To Be Adored The Devalayas Of Karnataka
Palani Dhandhayudhapani The Kovils Of Kerala
The Temples of North-West India Temples For The Triple Sects
Mata Kanakadurga of Vijayawada The Legend Of Mata Kanyaka Parameswari
The Temples Of North-East India Mantralya Mahakshetra
The Aalayas of Andhra Pradesh The Mandirs Of Maharastra
Mighty Atoms For Tiny Tots Lord Siva Of Sri Kalahasthi
Bhagawan Vithoba Of Pandharpur Bizarre Beliefs And Odd Traditions
Asoka Priyadarsin The Mother Of Melmaruvathur And Her Miracles
Vishnu Mayam Jagat Sarvam Sakti Mayam
The Temples Of Tamilnadu Hindu Ethos In Capsules - Vol I

Hindu Ethos In Capsules - Vol II

Hullo Tirupathi !
Uthuthshta Govinda Cum Jo Jo Mukunda The Miracles Of Gods For The Debacles Of Humans
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PENUGONDA - COURT HALL ANNAMACHARYA  

Saluva Narasingaraja was a scion of Vijayanagara kings and during the day of Annamacharya, he was a feudatory chief of a small region with Tangutur as his capital. A resourceful man as he was, he was gifted with unusual military prowess and exemplary valour, ready to undertake daring enterprises for expansion of his dukedom. On account of his close association and reposing implicit obedience in Annamacharya, the Acharya moulded his career and guided him timely in his military expeditions, which ended in crowning him with the king of Penugonda. His status was raised and name spread rapidly. 

Being grateful, he invited his spiritual guru Annamacharya to his capital Penugonda and made arrangements for his comfortable stay and continuing his spiritual sadhana and composing of sankirthanas. Time went on smoothly for sometime with the preceptor - disciple relations strengthened day by day. The king used to invite the Acharya to the court hall, now and then when he was holding darbar and immersing in the bhaktirasa flowed down from the sankirthanas masterly rendered by Annamacharya. The whole audience used to experience unforgettable thrills while listening to the devotion-soaked music quite often.

 

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