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The Miracles Of Gods For The Debacles Of Humans
Index Author
Invocation Introduction
Prologue Chengannur
Bhavani Mantralaya - Brindavan
Agra Tiruvannamalai
Tiruchendur Vijayawada
Tiruvangad Tiruvangad - Sri Rama Temple
Madhuranthakam Banaras
Nanjangud Talakaveri
Karpara Kshetra Jejuri 
Mantrlaya Adoni
Melkote Phede
Bhadrachalam Morgaon
Sirusangadla Vikarabad
Simhachalam Srisailam
Penugonda Deogarh
Major Sections
Temples Of India
Lord Siva To Be Adored The Devalayas Of Karnataka
Palani Dhandhayudhapani The Kovils Of Kerala
The Temples of North-West India Temples For The Triple Sects
Mata Kanakadurga of Vijayawada The Legend Of Mata Kanyaka Parameswari
The Temples Of North-East India Mantralya Mahakshetra
The Aalayas of Andhra Pradesh The Mandirs Of Maharastra
Mighty Atoms For Tiny Tots Lord Siva Of Sri Kalahasthi
Bhagawan Vithoba Of Pandharpur Bizarre Beliefs And Odd Traditions
Asoka Priyadarsin The Mother Of Melmaruvathur And Her Miracles
Vishnu Mayam Jagat Sarvam Sakti Mayam
The Temples Of Tamilnadu Hindu Ethos In Capsules - Vol I

Hindu Ethos In Capsules - Vol II

Hullo Tirupathi !
Uthuthshta Govinda Cum Jo Jo Mukunda The Miracles Of Gods For The Debacles Of Humans
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The scene is laid in the Durbar hall of Saluva Narasingaraja, the king of Penugonda, who rose to power by the blessings and guidance of Annamacharya, the world-renowned Sangeethacharya of Andhra Pradesh. The principal character, of course, is Annamacharya, and the villain of the piece is that presumptuous King Saluva Narasingaraya. The time of action took place some time in fourteen eighties.

Annamacharya was a varaprasadi born to Lakkamamba and Narayana Suri couple after years of rigorous meditation and innumerable vratas. He was the Nandaka-sword aspect of Srimannarayana born to rejunevate the drooping religious instincts in the fifteenth century due to Muslim domination over the whole of Bharat, in a way. By his gifted voice and boon of composing devotional songs in praise of Venkatachalapathi of the Seven Hills, he became an illustrious Vaggeyakara and was honoured with the title of Padakavithapitamaha the originator and grand father of lyrical poetry. He toured widely and later settled down at Tirumala composing devotional songs, one each day and authored 32000 songs, a record never reached by any in any language so far and anywhere in the world, for that matter. Although most of his works - Satakas, Kavyas, in addition to songs are lost, only some 12000 sankirthanas are available, and the T.T.D., Tirupathi has undertaken the noblest task of preserving and printing them in several volumes through a special department manned by eminent savants working arduously since nineteen forties. And is successfully broadcasting the glory of his compositions through making cassettes for public benefit.

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