Carnatic
Culture

THE MELAKARTA SCHEME

Values Letters Ka series Ta Pa Ya 
  1. Ka Ta (as in Tom) Pa Ya
  2. Kha Tha Pha Ra
  3. Ga Da (as in dumb) Ba La
  4. Gha Dha Bha Va
  5. Nga (as in Bengal) Na (as in Anna) Ma Sa (as in Siva)
  6. Cha (as in chip) Ta (as in with) Sha(as in Shut)
  7. Chha Tha Sa (as in Sea)
  8. Ja Da Ha
  9. Jha Dha
  10. Ngya Na (as in Pen) 

purvangam as Sankaraabharanam and the same uttarangam as Shanmugapriya or Thodi. However, singing the purvangam portion of Sankaraabharanam and then the uttarangam of Shanmugapriya or Thodi has very little to do with the true swaroopam of Chaarukesi. This is like arguing that glueing a lion's head to a human torso results in the creation of a new being, when all it really does is create neither a lion nor a human being. The resulting creature is a poor excuse for a human or a lion and can be seen only as such. The use of gamakkas is also intricately connected to the concept of raga swaroopam and even though swaras may be the same, the gamakkas are often different, leading to ragas that are quite distinct in character.

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About The  Melakarta Scheme
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