The most significant painting of the Rama legend which is preserved in a very
good state is an illustration of Rama and Sita sitting on a throne under a canopy inside a
shamiana surrounded by the ladies of the palace, while Hanumana and Sugriva are paying
homage to them. A very effective use has been made of space in illustrating this small
panel. Rama and Sita are in the main shamiana and the courtiers are shown seated in a
Separate shamiana in the compound. In another corner of the compound, female musicians and
dancers are performing. On both sides of the composition are palace balconies from which
royal ladies are shown observing the festivities in the compound.
A beautiful illustration of the samudra -
manthana or churning of the sea for nectar by the devatas and rakshasas is also found
here. Two panels depict Vishnu reclining on the Sesanaga while Lakshmi is pressing his
feet.
There are only two panels illustrating secular
scenes. One illustrates Bhagwan Narayana Das (to whom the execution of the paintings is
attributed by the matha authorities) conversing with Jahangir. In the other panel is
painted a marriage pandal decorated with leaves and parrots, which is very similar to a
scene illustrated in the Pindori paintings."*
There are also a number of paintings in several
rooms of a matha (monastery) at Dharmasala and many of these are secular. They are much
more recent and some of the legendary characters have been shown with turban and beard
borne in the Sikh fashion.
Wall painting of the Western
Himalayas by Dr. Mira Seth(1976), (page54) |