In another panel Brahma, the creator of the three worlds, is shown in
attendance with a book in his hands. The central panel of this enormous mural is occupied
by the Devi presented in a well-knit and effective composition. At the Four Corners of the
panel are presented four palaces painted in white and sheltering in each of them a seated
figure of the Devi who is being attended upon by female chauri bearers or surrounded by
female devotees. There is also a palace in the centre in which a fiveheaded Devi is seated
on the body of a prostrate Siva. In front of her the heavy, rounded and obese form of a
raja stands with folded hands wearing a turban and an achkan (long coat) very similar to
the achkans in contemporary use. This figure evidently represents the donor or patron of
the painting or the temple or of both. Behind the Devi stands an old grey-haired queen
with a crown on her head in front of whom stand two young princesses, again with crowns on
their heads'. Below the Devi's throne or chauki, the ground is painted in maroon color and
devis and devatas are sitting in worshipful positions. On the left hand side are seen many
princesses and their retinue of women, all decked ir attractive clothes. All around the
central panel are seen the devotees of the Devi."*
Dr. Mira Seth continues :
"What is interesting to note is that even
in this crowded world of the nobility and the aristocracy, the artist made use in his
composition Of the common people and their daily round of life, They are presented in the
context of their lowly environs, sometime talking to sadhus and taking their advice, at
others going about their other normal day-to-day pursuits like tending cows.
*Wall paintings of the Western
Hijmalaya by Dr.Mira Seth (1976),(page,75-77.) |