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Temples & Legends Of Somanatha

Kulapati's Preface

Author

Preface To the first Edition

Preface To The Second Edition

Publisher's Note: Fourth Edition

Abbreviations

List Of Illustrations

Somanatha- Lord Of Soma, The Moon God

Prabhasa In Historical Tradition

Dehotsarga-The Hallowed Spot

Shiva-Guardian Of National Resurgence

Shiva And His Worship

The First And The Second Temples

The Third Temple

The Guardian God Of Gujarat

Rise Of A Destroyer

Destruction of The Third Temple

The Fifth Temple

Renovation Of Tripurantaka

Destruction By All-Ud-Din Khilji

The Shrine Rises Again And Again

A Destroyer And A Restorer

A Great Restorer Rises

AS I Saw It

Planning: University Of Sanskrit

Preparation- Advisory Committee and The Trust

Dehotsarga

Somanatha-The Shrine Eternal

The Days Of Aurangzeb

The Mystery Of The Two Outlets: The First Temple

The Second, Third And Fourth Temples

The Fifth Temple

Topography

Historical Background

Introductory To Excavations

Objects Of The Excavations And A summary Of The Results

Descriptions Of The Cuttings

Conclusion: Identification And chronology Of The 'Original' Temple

Muslim Chroniclers On Somanatha

Stone Inscription In The Temple Of Bhadrakali

Stone Inscription At Veraval Under Bhima Deva II Of Junagadh

Cintra Prashasti Of The Reign Of Saranga Deva

Appendix

 
Major Sections
Temples & Legends Of India
Andhrapradesh
Maharastra
Kerala
Himachal Pradesh
Tamilnadu

Bengal

Assam
Bihar
Somanatha

IDENTIFICATION AND CHRONOLOGY OF THE 'ORIGINAL' TEMPLE

A superficial corroboration is also provided by the ceramic evidence. In the lower levels (essentially pre-Phase I) of these cuttings was encountered a distinctive class of polished red ware sometimes also painted in black, generally with parallel bands. The ware is made out of carefully prepared clay and also seems to be "wet-smoothed" before firing, which was done under oxidizing conditions of the kiln. Possibly the pots were also burnished after firing to obtain the polished surface. An outstanding type in this ware is the bottle-necked sprinkler. The shape, however, is of great interest and belongs to the early centuries of the Christian era.5

5 During the recent excavations at Hastinapur similar vases have been recovered from strata ascribable to c. 1st-2nd century A D. although the evidence at Kausambi (1951 excavations) points to their survival in the Gupta period as well.

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Jyotirlinga-Somanatha
About Origianl Temple
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