Lying on the bank of Pushpavathi, this eleventh century Sun temple
occupies a pre-eminent place among a very few temples extant and in
dilapidated condition, dedicated to Surya Bhagawan. The temple although
built according to Silpa sastra bears resemblance to Jain mandirs, as evidenced
by its dome akin to the temples at Mt.Abu and Girnar. In addition, the images
of Sun adorning walls and pillars have exotic features, like putting on long
shoes and foreign in appearance. Magabrahmins, the principal priests, who
emigrated from Persia and settled down in this region influenced the architects
and sculptors to fashion and make the images of their own choice, aver the
archaeologists and art-critics.
The Sun-god, a Vedic deity occupying a covetable place in the Hindu
pantheon is deemed one of the forms of Sri Mahavishnu. He is worshipped
both independently and in association with Varuna - the Rain-god. He is
praised in several context--, in Rig Veda and his popular and frequent form as
Mitra finds mention in several places. On account of his chief function of
dispelling darkness and giving fife to the animate world, he is fittingly called
Mitra. And this sticks to 'his name aptly and above all, he is one of the
clearest natural phenomena visible in the sky. He is Pratyaksha Daivam and
also Karmasakshi. Hence befitting mandirs were built and worship was
advocated. This temple is said to have been built by Chalukyas during whose
reign the sculptural art reached the meridian of splendour and won world-wide
reputation. It was built on a grand scale with imposing stature and vast
dimensions. Abundant sculpture beautifying
the walls, pillars and ceilings speak the builders' munificent patronage and
their refinement. Though in ruins, wrought by the ruthless Mlechchas, it is
still retaining its former glory in structural dimensions and sculptural
appearances. And drawing visitors and connoisseurs regularly. Foreign travellers
and art-critics Eke Forroukhi have paid rich tributes.
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