Temples & Legends of Assam
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Temples & Legends Of India

TEMPLES IN TEZPUR DISTRICT

These sculptures give us some glimpse of the contemporary life of the people. But the diversities of scenes of these sculptural  depictions are so numerous that we have only pointed out a few leading varieties.Of the sculptural, designs, we may mention the caitya-windows of two different types on a lintel. One of these patterns is a trefoil in which all the three arcs are of the same size, in the other the upper are is larger than the two arcs on the sides*10. The interior of the sunken panel is entirely covered with geometrical patterns with a half rosette in the center.

In the delineation of vegetable life the artist was in the height of his form. Combined with a considerable amount of faithful representation and integrity there is an amount of luxuriance of decoration and of picturesque arrangement. As floral
ornamentation could be employed for any decorative purpose and any vacant space could be filled up with such devices, naturally they became varied in form and numerous in numbers. Of the floral designs, the lotus was by far the greatest favourite, and it was carve in various forms, in bud, in a half open state, and in full-blown flowers.

In Deo Parbat there is a beautiful representation of a cluster of lotuses in full bloom and appears to be issuing from a pond. Another illustration from the same place exhibits a row of busts with hands holding lotuses; their patra-kundalas were also designed like full-blown lotuses.



*10. The Age of the Imperial Guptas, p. 196; A.R.A.S.I.,
1924-25, p. 97.

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About Dah Parbatiya Temple
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