Temples & Legends Of
Maharastra |
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Temples & Legends Of
India |
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TULJAPUR - BHAVANI |
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Leaving these tirths and secondary shrines, and proceeding towards the
west, the visitor finds on his either side shops that offer for sale flowers, kumkum,
halad and other substances offered to the deity. Then a large gateway faces him. This is a
combined arch and trebeate construction. Crossing the gate one has to descend a set of
some more steps before one enters the final and the lowermost level of the three phased
prakara. This courtyard is much larger than the previous one and is enclosed within
pillared aisles on all sides. The chief shrine is a series of some four buildings oriented
towards the east. The easternmost part contains the shrine of Shri Siddheshvar Mahadev.
Next to it is the homa-kund.Then comes the sabha- mandap. This is square on plan, with a
cross-shaped constructional pattern. The pillars are of the Yadav Order, and beams and
several other parts are profusely carved, unlike the inner parts of the temple and the
pillars of the aisles. However, the arrangement of the pillars and the carvings on the
stone betray the fact that it is a reconstruction from older materials. Stones have been
put together without paying any attention to considerations of symmetry or the
continuation of the designs carved on them. In addition to this unartistic arrangement the
matter is further worsened by the colour decoration now applied to the structure. Bright
and deep hues have been applied without caring for the balance of colours and the harmony
of tones used. It is from this mandap, which has three entrances, the eastern side being
blocked off by the boma-kund, that the visitor who has come only to have darshan can have
a look at the image. The western door opens in the central mandap, the southern and
northern ones opening in the courtyard. Only if the visitor has anything to offer in terms
of money is he allowed inside the central mandap and have a closer look at the devi. There
is a good deal of rush, and two doors intervene, the image is surrounded by those who are
out to present valuable offerings and this arrangement of having darshan is to say the
least, unsatisfactory. It is in this mandap that certain rites such as cropping the first
locks of an infant- Javal', etc. arc performed in fulfilment of navas. This adds another
element to the already thick crowds in the mandap. |
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