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Temples & Legends Of Somanatha

Kulapati's Preface

Author

Preface To the first Edition

Preface To The Second Edition

Publisher's Note: Fourth Edition

Abbreviations

List Of Illustrations

Somanatha- Lord Of Soma, The Moon God

Prabhasa In Historical Tradition

Dehotsarga-The Hallowed Spot

Shiva-Guardian Of National Resurgence

Shiva And His Worship

The First And The Second Temples

The Third Temple

The Guardian God Of Gujarat

Rise Of A Destroyer

Destruction of The Third Temple

The Fifth Temple

Renovation Of Tripurantaka

Destruction By All-Ud-Din Khilji

The Shrine Rises Again And Again

A Destroyer And A Restorer

A Great Restorer Rises

AS I Saw It

Planning: University Of Sanskrit

Preparation- Advisory Committee and The Trust

Dehotsarga

Somanatha-The Shrine Eternal

The Days Of Aurangzeb

The Mystery Of The Two Outlets: The First Temple

The Second, Third And Fourth Temples

The Fifth Temple

Topography

Historical Background

Introductory To Excavations

Objects Of The Excavations And A summary Of The Results

Descriptions Of The Cuttings

Conclusion: Identification And chronology Of The 'Original' Temple

Muslim Chroniclers On Somanatha

Stone Inscription In The Temple Of Bhadrakali

Stone Inscription At Veraval Under Bhima Deva II Of Junagadh

Cintra Prashasti Of The Reign Of Saranga Deva

Appendix

 
Major Sections
Temples & Legends Of India
Andhrapradesh
Maharastra
Kerala
Himachal Pradesh
Tamilnadu

Bengal

Assam
Bihar
Somanatha

DESCRIPTIONS OF THE CUTTINGS

Distinctive of this phase is the use of the black basalt stone. Inside the garbhagriha, wherever the old flooring had worn out, it was replaced by black basalt stones. In the water outlet 'B', a carved drain piece of this black stone was inserted to ensure against leakage of water into the wall itself.

Of the same variety of stone, a new jaladhari, which encompassed the standing linga in two halves, was substituted. One such piece was found lying in the south-west corner of the cella. Both in the pradakshina marga and on the outside, the floor-level was raised by about 9-11 inches. The plinth of this phase was elaborately carved in maha pitha tradition; the width of the garbhagriha along the section was about 72 feet.

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Jyotirlinga-Somanatha
About Cuttings
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