So
his rapturous joy overflowing his whole frame, as it were. Soon
Parasurama decided to perpetuate that jubilant mood of Darsan and adoration
by humanity through an image. A master sculptor was engaged. The
artistry of the sculptor commissioned reached the consummation point
with the depiction of that happy mood in the archamurthi. Parasurama
was pleased and consecrated it in the temple built then. And it is
the same image which is giving Darsan to the visiting public. Credit
goes Parasuram for installing this rarity for worship. He then
stipulated elaborate injunctions for the conduct of nitya-naimithika
Prayer services.
Later,
the Mushakavamsa rajas endowed the temple with several gifts, and
renovated it several times. Among them king Vallabha II, and
Srikantha surnamed Raja dharma deserve particular mention. They
spent lavishly and patronized sculptors and artists on a scale that
provoked jealousy among his contemporaries. In the succeeding
centuries many royal families renovated it from time to time and the
sculptural styles preserved are enabling the archeologists to fix
the periods of construction, renovation etc.
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