It is
this temple that contains a mysterious lamp, obtained and lighted up
by none other than the Moolavirat amidst thunder and lightening
about three and half a century back, which is still burning round
the clock with five wicks and oil overflowing; it is this temple's
metal bull that gave grains used as a remedy for curing stomach
oilmen's; it is this temple's mural paintings and wooden carvings
that illustrate Sivalilas to igniting the slumbering theistic
instincts and are hailed as specimen of superior craftsmanship; it
is this temple that celebrates an annual festival called
'asthanamandapa'
late in midnight, attended by Bhaktas in several thousands and it is
when the much venerated Ezhara Poonanai seven and half an elephant Darshan
is made available; it is the glory of this kshetra, described
elaborately in legends, like Vamana and Padmapuranas, and was very
popular in the Tretayuga as Manimanoor; it is in this place, where
Lord Siva unable to keep pace with Khara in deer's form carried it
in his hands, hence the name of Ettamanur, it is here Khara
performed Kanakabhisheka to Lord Siva' it is here he installed
Balagopala image to appease and lessen the fierceness of Lord Siva,
and it is this pace that was cursed by Sage Lomaharsha to be without
worship for about 1000 years, and was given a fresh lease of life by
Bilvamanagala Swamiyar, who entrusted it to Ashtamanagalathu Muthatu
after building a grand temple.
Renowned
thus both in legend and history, enshrining awe-inspiring marvels,
trodden by Lord Siva himself, adored by sages anti demons, like
Vedavyasa and Khara, praised for the works of arts and architecture,
endowed munificently by princes of fame, this shrine of Lord Siva
has been luring thousands of devotees since the Treta yuga.
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