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Sarvam Sakti Mayam
Sarvam Sakti Mayam - Index Invocation
Author Introduction
Sakthi And Her Glory Grama Devathas
Andhra Pradesh Assam
Bengal Bihar
Goa Gujarath
Himachal Pradesh Jammu - Tawi
Karnataka Kashmir
Kerala Orissa
Tamil Nadu Uttar Pradesh
Delhi Punjab
Rajasthan Pondicherry
Madhya Pradesh Maharastra
Nepal Tripura
Sakthipeethas
Major Sections
Temples Of India
Lord Siva To Be Adored The Devalayas Of Karnataka
Palani Dhandhayudhapani The Kovils Of Kerala
The Temples of North-West India Temples For The Triple Sects
Mata Kanakadurga of Vijayawada The Legend Of Mata Kanyaka Parameswari
The Temples Of North-East India Mantralya Mahakshetra
The Aalayas of Andhra Pradesh The Mandirs Of Maharastra
Mighty Atoms For Tiny Tots Lord Siva Of Sri Kalahasthi
Bhagawan Vithoba Of Pandharpur Bizarre Beliefs And Odd Traditions
Asoka Priyadarsin The Mother Of Melmaruvathur And Her Miracles
Vishnu Mayam Jagat Sarvam Sakti Mayam
The Temples Of Tamilnadu Hindu Ethos In Capsules - Vol I

Hindu Ethos In Capsules - Vol II

Hullo Tirupathi !
Uthuthshta Govinda Cum Jo Jo Mukunda The Miracles Of Gods For The Debacles Of Humans
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  SAKTHI AND HER GLORY

As they started stringing them to make garlands they began increasing in numbers infinite and in rhymes mellifluous as evidenced by the existence of ashtothara names and sahasranamavali. And sure their number crosses satasahasra namavali, if the fertile creative faculty stretched further. There seems some repetition of the same name in them, but they glorify her with rich connotation and pertinent allusions. As she alone did accomplish the work and came out unscathed from every situation it is but natural that her sakti is hailed in different names at places different too. Has not the very same Mother, manifesting in different forms and names put an end to the chaos and honoured righteousness with laurels? The same calamity when reappeared and lead to catastrophic. condition She alone entered the arena and did what was necessary Hence the repetition of the same in the namavali masterly composed One illustration. In the ashtothara, if the word Sambhavi is used to representing the amsa She was endowed with by Paramasiva, why should that be excluded or deleted in Sahastra namavali? Both are used to sing in praise of her, due to the astonishing part played again. Has not the same person descended at different places on different occasions? So repetition need not be mistaken as redundant nor inappropriate. Now see the actual picture. In the list of Chatushaskti - sixty tour yoginis, the name Varahi finds a place and the same appears in Saptamatrikas. When adulation is extended to the Mother. 

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