Along with these, with the advent of Sri Ramakrishna
Paramahamsa and his coming to the fore as a unique worshipper, it encircled the
whole Universe, through the masterly exposition of Hinduism and its glory by his
illustrious disciple Vivekananda. Paramahamsa turned himself into a household
word in Bengal. His obtaining the sakshatkara of the Mother Kali heightened his
Spiritual eminence and helped him to weld different sects into a corporate
whole. The Satwika puja that was introduced at Dakshinewar temple accelerated
the progress of Sakthi Upasana and with the banning of animal sacrifice at the
Kali temple by legislation, the Calcutta Kali Ma too gained better rapport with
other similar sampradayas and started changing in tune with the modern trends
that became the prime cause of its popularity now.
It
is a matter of great interest to seam the oddity of installation of some Kali
images for worship in Bengal. The image is installed atop a tree at Mehar; and
in some other places, the images are kept half submerged in water throughout the
year as at Khirgam, and it is called Jalodbhva Kali. There is another form
called Guhya Kali and it is found in the palace of Maharaj Nanda Kumar of
Bhadrapur. No where in India one can come across several types of the images of
Kali and mode of worship as it is in Bengal. For Kali worship - Bengal alone
offers variety, sanctity and piety of rare kind.
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