The
entrance to the gallery and that to the interior shrine are both of the same type as those
of Lakshana temple. Yet the rich pediment and gable of the facade of the latter are
absent, while the sculptures of the door frames proper are less elaborate. The outer
doorway, however, is evidently a later addition, and the coarse frescoes on the walls of
the cella are of quite recent date. The exterior entrance is rather simple; first a small
border, then a frieze of decorative bosses and finally a set of four, now badly damaged,
deities on both sides. When the pillared gallery round the sanctum was still open, this
frame must have stood, almost detached, also in the open. We can trace such arrangements in some later hill temples, though always in
connection with a mandapa in front, but it is unknown in the rest of India, and possibly
this exterior entrance, though an old piece, has been transferred from another, lost
shrine. This seems plausible because there exists another ancient idol at Chitrari,
likewise known as Shakti Devi, but actually the bust of a male deity. The door might thus
have belonged to the vanished temple of this image. The entrance to the sanctum is much
more interesting. Along the door-jambs we find a double row of standing figures on each
side of the entrance.
Those of the two outer row alternate with crouching
animal-headed figurines, which act as Atlantes, and presumably are meant either for
rakshasas or for ganas of Shiva. The outermost frieze projects to the right and left at
the top corners, enclosing two sitting lions. The next frame consists of two jambs
alternately decorated with three standing deities and three smaller crouching ganas (?)
each. Of the latter two are ox-headed, two lion-headed, one has elephant ears and one a
face on his belly. Among the deities Karttikeya, with six faces and a peacock, Indra with
his vajra and the elephant Airavata, possibly also Shiva can be recognized on the left,
and Brahma, four-armed and with a rosary and vessel in his hand, accompanied by two
hansas, on the right. |