We
may, therefore, interpret these figures as products of the transitional style from Gupta
to medieval art and may place them in the period of indirect Pala influence, via the
dependent Ayudha kingdom of Kanauj, a vassal of which the Brahmaur State must have been in
the years between the fall of the Kashmir empire of Lalita Ditya and the Tibetan (Kira)
invasion. In this respect they are contemporaneous with the Pala bronzes which have
repeatedly been found in Kulu. Mrikula Devi temple at
Lahul :-The temple of Kali, commonly called Mrikula Devi from the name of the village
where it is found, is of unknown age. Margul or Marul, ancient Mrikula, is a village in
Chamba-Lahul, at the junction of the Miyar Nala with the Chander Bhaga. About 1695 it was
renamed Udaipur, when Raja Udai Singh (1690 - 1720) raised it to the status of a district
centre in the part of Lahul which his father Chatar (or Satru) Singh (1664-1690) had
annexed to the Chamba state. The place is not of much interest, except for its unique
temple of Kali, called Mrikula Devi after the name of the village.
The popular tradition that the same artisan worked the
Mrikula temple and the temple of Hidimba at Manali in Kulu deserves no credit. The Manali
temple with its profuse but crude wood-carvings was built by order of Bahadur Singh of
Kulu in A.D. 1559. The temple of Mrikula Devi must be centuries older. It evidently
belongs to some intermediate period, perhaps the tenth or eleventh century. The wood-
carving of these hills exhibits, perhaps more than any other branch of Indian art, a
constant deterioration. Modern work is indeed so clumsy as to appear primitive. The
Mrikula temple, like that of Lakshana Devi, has an anteroom or mandapa in front of the
shrine proper, and a solid wall enclosing both. Like the shrines already discussed, it
does not look impressive from outside, as its exterior shell, exposed to all the
inclemencies of a climate hardly better than that of the Tibetan highlands, had to be
renewed time and again. It stands on a mountain slope, the usual structure of rubble
filled in between wooden refters (thirty-three by twenty-three feet inside; twelve feet
high), on the south side resting on a platform (six feet seven inches high), on the north
side almost dug into the hill, as the interval between the wall and the hill has been
filled up with stones and earth probably in order to reduce the danger from snow pressure
and avalanches. |